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Joy Garnett
Joy Garnett (born 1965 〔http://www.artfacts.net/en/artist/joy-garnett-74616/profile.html〕) is a painter and writer in Brooklyn, New York, USA. Garnett's paintings, based variously on news photographs, scientific imagery and military documents she gathers from the Internet, examine the apocalyptic-sublime at the intersections of media, politics and culture. She engages contemporary consumption of media and the delineation between journalistic and artistic images.〔(Brewer, Paul: Curator's Statement. ) "Blasts," G Fine Art, Washington, DC, Sept 10 - Oct 22, 2005〕 She takes the digital image itself as her subject and is interested in digital media in general. She is married to visual artist Bill Jones.
Her work is often associated with sampling in new media art and with appropriation art. Controversy surrounding her 2003 painting ''Molotov'' has drawn international scrutiny to issues of ownership and fair use in appropriation art. Garnett's work has been reproduced in publications including Harper's,〔("Portfolio: On the Rights of Molotov Man - Appropriation and the art of context," ) by Joy Garnett and Susan Meiselas. Harper's Magazine (February 2007) ()〕 ''Perspecta: The Yale School of Architecture Journal'',〔http://mitpress.mit.edu/catalog/item/default.asp?tid=10237&ttype=2〕 and Cabinet magazine.
Since 2005, Garnett has served as Arts Editor at ''Cultural Politics'',〔http://www.dukeupress.edu/Catalog/ViewProduct.php?productid=45645〕 a contemporary culture, politics and media journal published by Duke University Press. She is the editor of NEWSgrist.〔http://www.newsgrist.com〕
==Commissions, Awards, Residencies==
In 2011, Garnett was commissioned by the Chipstone Foundation and the Milwaukee Art Museum to produce a painting and a film documenting its making for the traveling exhibition "The Tool at Hand."〔("The Tool at Hand," Milwaukee Art Museum, Dec 2011-Apr 2012 )〕 In 2007, Garnett was invited to the iCommons Summit in Dubrovnik, Croatia to be an Artist in Residence.〔(iCommons Summit 2007, Dubrovnik, Croatia: Announcement of Artists in Residence )〕 In 2005 she was granted a residency at the Atlantic Center for the Arts.〔(Atlantic Center for the Arts Residency Program )〕 In 2004, Garnett received a grant from Anonymous Was A Woman〔(Anonymous Was A Woman, press release 2004 )〕〔(Anonymous Was A Woman, official site )〕 before the age restriction was limited to women over 45. In 2002 she was the recipient of grants from the Lower Manhattan Cultural Council (LMCC)'s Manhattan Community Arts Fund〔(Manhattan Community Arts Fund )〕 to organize the group exhibition "Night Vision"〔("Night Vision", official site )〕 at White Columns, NYC, and again in 2003 to produce an installation at the "Terrorvision" exhibition at Exit Art, NYC. In 2000 she received a grant from London's The Wellcome Trust to produce paintings for an exhibition held jointly at venues in London and Cambridge, organized by Kettle's Yard, Cambridge, UK.〔(N01se exhibition, 2000 )〕 In 1990-91, while completing her MFA at City College, Garnett received the Elizabeth Ralston McCabe Connor Award for excellence in graduate studies in painting.
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